My Father and the Fig
Tree
For other fruits, my
father was indifferent.
He'd point at the cherry trees and say,
"See those? I wish they were figs."
In the evening he sat by my bed
weaving folktales like vivid little scarves.
They always involved a figtree.
Even when it didn't fit, he'd stick it in.
Once Joha was walking down the road
and he saw a fig tree.
Or, he tied his camel to a fig tree and went to sleep.
Or, later when they caught and arrested him,
his pockets were full of figs.
At age six I ate a dried fig and shrugged.
"That's not what I'm talking about! he said,
"I'm talking about a fig straight from the earth –
gift of Allah! -- on a branch so heavy
it touches the ground.
I'm talking about picking the largest, fattest,
sweetest fig
in the world and putting it in my mouth."
(Here he'd stop and close his eyes.)
Years passed, we lived in many houses,
none had figtrees.
We had lima beans, zucchini, parsley, beets.
"Plant one!" my mother said.
But my father never did.
He tended garden half-heartedly, forgot to water,
let the okra get too big.
"What a dreamer he is. Look how many things
he starts and doesn't finish."
The last time he moved, I got a phone call,
My father, in Arabic, chanting a song
I'd never heard. "What's that?"
He took me out back to the new yard.
There, in the middle of Dallas, Texas,
a tree with the largest, fattest,
sweetest fig in the world.
"It's a figtree song!" he said,
plucking his fruits like ripe tokens,
emblems, assurance
of a world that was always his own.
-Naomi Shihab Nye
He'd point at the cherry trees and say,
"See those? I wish they were figs."
In the evening he sat by my bed
weaving folktales like vivid little scarves.
They always involved a figtree.
Even when it didn't fit, he'd stick it in.
Once Joha was walking down the road
and he saw a fig tree.
Or, he tied his camel to a fig tree and went to sleep.
Or, later when they caught and arrested him,
his pockets were full of figs.
At age six I ate a dried fig and shrugged.
"That's not what I'm talking about! he said,
"I'm talking about a fig straight from the earth –
gift of Allah! -- on a branch so heavy
it touches the ground.
I'm talking about picking the largest, fattest,
sweetest fig
in the world and putting it in my mouth."
(Here he'd stop and close his eyes.)
Years passed, we lived in many houses,
none had figtrees.
We had lima beans, zucchini, parsley, beets.
"Plant one!" my mother said.
But my father never did.
He tended garden half-heartedly, forgot to water,
let the okra get too big.
"What a dreamer he is. Look how many things
he starts and doesn't finish."
The last time he moved, I got a phone call,
My father, in Arabic, chanting a song
I'd never heard. "What's that?"
He took me out back to the new yard.
There, in the middle of Dallas, Texas,
a tree with the largest, fattest,
sweetest fig in the world.
"It's a figtree song!" he said,
plucking his fruits like ripe tokens,
emblems, assurance
of a world that was always his own.
-Naomi Shihab Nye
from 19 VARIETIES OF GAZELLE
* Joha - A trickster figure in Palestinian folktales
Arabic Coffee
It was never too strong for us:
make it blacker, Papa,
thick in the bottom,
tell again how the years will gather
in small white cups,
how luck lives in a spot of grounds.
Leaning over the stove, he let it
boil to the top, and down again.
Two times. No sugar in his pot.
And the place where men and women
break off from one another
was not present in that room.
The hundred disappointments,
fire swallowing olive-wood beads
at the warehouse, and the dreams
tucked like pocket handkerchiefs
into each day, took their places
on the table, near the half-empty
dish of corn. And none was
more important than the others,
and all were guests. When
he carried the tray into the room,
high and balanced in his hands,
it was an offering to all of them,
stay, be seated, follow the talk
wherever it goes. The coffee was
the center of the flower.
Like clothes on a line saying
you will live long enough to wear me,
a motion of faith. There is this,
and there is more.
make it blacker, Papa,
thick in the bottom,
tell again how the years will gather
in small white cups,
how luck lives in a spot of grounds.
Leaning over the stove, he let it
boil to the top, and down again.
Two times. No sugar in his pot.
And the place where men and women
break off from one another
was not present in that room.
The hundred disappointments,
fire swallowing olive-wood beads
at the warehouse, and the dreams
tucked like pocket handkerchiefs
into each day, took their places
on the table, near the half-empty
dish of corn. And none was
more important than the others,
and all were guests. When
he carried the tray into the room,
high and balanced in his hands,
it was an offering to all of them,
stay, be seated, follow the talk
wherever it goes. The coffee was
the center of the flower.
Like clothes on a line saying
you will live long enough to wear me,
a motion of faith. There is this,
and there is more.
My Grandmother in the Stars
It is possible we will not meet again
on earth. To think this fills my throat
with dust. Then there is only the sky
tying the universe together.
Just now the neighbor’s horse must be standing
patiently, hoof on stone, waiting for his day
to open. What you think of him,
and the village’s one heroic cow,
is the knowledge I wish to gather.
I bow to your rugged feet,
the moth-eaten scarves that knot your hair.
Where we live in the world
is never one place. Our hearts,
those dogged mirrors, keep flashing us
moons before we are ready for them.
You and I on a roof at sunset,
our two languages adrift,
heart saying, Take this home with you,
never again,
and only memory making us rich.
on earth. To think this fills my throat
with dust. Then there is only the sky
tying the universe together.
Just now the neighbor’s horse must be standing
patiently, hoof on stone, waiting for his day
to open. What you think of him,
and the village’s one heroic cow,
is the knowledge I wish to gather.
I bow to your rugged feet,
the moth-eaten scarves that knot your hair.
Where we live in the world
is never one place. Our hearts,
those dogged mirrors, keep flashing us
moons before we are ready for them.
You and I on a roof at sunset,
our two languages adrift,
heart saying, Take this home with you,
never again,
and only memory making us rich.
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